In 2013, this fascination led him to Glashütte, the heart of German watchmaking.

There, surrounded by tradition and discipline, he began to refine his craft.

Long hours at the bench, a relentless focus on detail, and a deep respect for precision shaped not only his technical ability, but his understanding of what true watchmaking means.

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With the unveiling of the Mondphase I, Felipe introduced his most poetic complication to date.

The moon was not simply displayed, but brought to life through a three dimensional representation, adding depth and presence to the passage of time.

Rooted in his fascination with astronomy, the piece connected traditional watchmaking with a sense of wonder, transforming timekeeping into something more reflective and emotional.

Its nomination at the Grand Prix d’Horlogerie de Genève marked a defining moment, not as an endpoint, but as a recognition of a journey that was only just beginning.

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Felipe launched his brand, introducing the Prius Collection, a series of five fully skeletonized timepieces.

What began not in a grand atelier, but in the quiet space of his own kitchen, alongside the structure of a daily nine to five routine, marked the true beginning of his independence.

Each piece reflected his commitment to craftsmanship and artistic expression, shaped not by resources, but by determination and a clear personal vision.

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With the introduction of the ZBM1, Felipe took a deliberate step in a new direction.

For the first time, the focus shifted toward a more restrained and architectural dial, defined by a fully hand engraved surface that carried the same depth once revealed through skeletonization.

It was not a move away from craftsmanship, but a different way of expressing it, where detail was no longer exposed, but quietly embedded into the form itself.

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After years of development, the Mondphase II marked a defining moment in Felipe’s journey.

For the first time, the movement was no longer just refined, but fundamentally rethought. Built from the dial side upward, it revealed its mechanics openly, turning timekeeping into something visible, almost alive.

But more than a technical achievement, the Mondphase II carried a deeper meaning.

It reflected Felipe’s fascination with the universe, with perspective, stillness, and the idea that time is not only measured, but experienced.

With it, the atelier took a decisive step forward, moving closer toward true independence.

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Under the guidance of master watchmaker Rolf Lang, Felipe entered a defining phase of his journey.

More than a professional experience, it was a traditional master student relationship, shaped by patience, discipline, and a deep respect for the craft.

At the workbench, he was introduced to the philosophy behind fine watchmaking, where every detail matters and nothing exists without purpose.

Through this mentorship, Felipe refined not only his technical skills, but his understanding of what it truly means to create a timepiece by hand.

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Dedicated to bespoke timepieces, Felipe began creating for a small circle of collectors who valued individuality and craftsmanship.

Each watch became more than an object, it became a personal dialogue between maker and wearer, shaping a reputation built not on scale, but on trust, detail, and intention.

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During his time with Kudoke, Felipe discovered the art of skeletonization.

Working closely with the movement, removing material while preserving strength and balance, he developed a deep sensitivity for form, proportion, and structure.

It was here that technical understanding began to merge with artistic expression, laying the foundation for his own design language.

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As the atelier began to grow, Felipe took on the role of mentor, sharing not only techniques, but a way of thinking about watchmaking.

For him, craftsmanship is not something to be kept, but something to be passed on, shaped through patience, discipline, and attention to detail.

By guiding the next generation, he ensured that the values behind his work would continue to evolve, not as repetition, but as living tradition.

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Felipe was born in 1994 in Berlin, where an early fascination with mechanics and time quietly began.

What started as curiosity soon turned into something deeper.

By the age of thirteen, he was already taking apart and reassembling watches, not only to understand how they worked, but to discover how they were made.

It was never just about timekeeping.

It was about the idea that something so small could hold such complexity, precision, and meaning.

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With the introduction of the Sternenhimmel, Felipe’s work reached a wider audience for the first time.

Inspired by the quiet vastness of the night sky, the piece reflected a deeply personal fascination with the universe, translating it into a calm and contemplative presence on the wrist.

It was more than a watch, it was a reminder of perspective, of stillness, and of the beauty found in looking beyond oneself.

What followed was not sudden success, but a growing recognition built on authenticity, craftsmanship, and a story that resonated far beyond its origin.

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As the atelier continued to grow, Felipe’s focus became increasingly clear.

It was no longer just about creating exceptional timepieces, but about building a foundation for true independence.

Bringing together a small team of dedicated artisans, the vision evolved into something greater than a single watch, a place where craftsmanship, knowledge, and innovation could exist side by side.

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Looking ahead, the ambition became more defined than ever.

To move beyond modification and toward creation, developing movements not only assembled, but truly made within the atelier.

This next chapter is not driven by expansion, but by intention, a quiet and deliberate step toward independence, where every component brings us closer to building time entirely in our own hands.

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With the introduction of the FPA1 caliber, the vision became tangible.

For the first time, the movement was developed largely within the atelier, including a hand crafted balance wheel, one of the most demanding components in watchmaking.

It is a deliberate choice to begin with the most challenging elements, because mastering complexity creates the foundation for true independence.

At the same time, the atelier itself continues to evolve into a place of learning.

A space where knowledge is passed on, where young watchmakers refine their craft, and where the next generation becomes part of the journey.

FPA1 is not just a movement.

It is the beginning of building time entirely in our own hands.

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