With the FPSK22, the journey into skeletonization began.

For the first time, material was not only shaped, but consciously removed, allowing the movement to reveal its inner structure as part of the design.

There is a certain rawness to this piece.

An openness that reflects exploration, where form, balance, and proportion are still being discovered.

It is not about perfection.

It is about understanding what can be taken away, and what must remain.

                                On the reverse, the foundation becomes clear.

The movement remains close to its origins, rooted in traditional construction while beginning to move toward a more individual expression. 

Surfaces feel more honest, less refined, allowing the process itself to remain visible.

It is here where the balance begins.

Between preservation and change, laying the groundwork for everything that follows.